Watch Frozen Disney Online - . There are genuine moments of inspiration, however. One has Elsa, the Snow Queen building her snow castle using her own supernatural abilities. The sequence highlights the movie’s signature song “Let It Go” a soaring declaration that says goodbye to the past, rejoicing that she no longer has to hide her gift.
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With arms outstretched, Elsa builds an ice staircase as she simultaneously ascends up to the sky, Snow flurries abound. She stomps the ground and a fractal image of a snowflake grows from under the foot. Then she raises her hands and a glittering shiny ice castle of frozen spires appears from all around her It’s a positively gorgeous spectacle, among the best of the year, and a joyous reminder of the heights to which music and images can combine in a Disney film. Not since Superman & his Fortress of Solitude has a home been made so beautifully in ice.
This animated musical recalls a recent op-ed piece by writer and mother Joy Martin-Malone, who professed why drag queens are better role models for her daughters than Disney princesses. A perfect essay for the post-Brave era, which at last seems ready to decry Disney’s longtime trend of male-dependent beauties, Martin-Malone’s rant lamented her toddlers’ embraces of Ariel and Cinderella, and assured she’d never endorse their waiting for someone else to make their dreams come true. Better to take after the work ethic of RuPaul and her pupils, the mom argued. While it does nothing to help the Mouse House’s other problem of protagonist whitewashing, Frozen could be the rare Disney-princess flick that Martin-Malone, and those like her, deem worthy of their girls. Voiced in adulthood by Idina Menzel, Elsa, now queen, sees her secret spilled in humiliating fashion, leading to a kingdom-fleeing that’s marked by shame and, finally, liberation. Building herself a mountaintop ice palace that gives Frozen’s animators a workout, Elsa belts and struts her way through a gotta-be-me power ballad, and though the film ultimately insists that Elsa not be a fierce queen, but a magnanimous one, the moment is unmistakably drag-esque—a self-styled fabulization.
The result of a decade-long effort by the studio to fashion an animated feature from Andersen’s classic “The Snow Queen,” “Frozen” ultimately bears only the most superficial resemblance to its source, the haunting story of a young girl’s efforts to free her true love from the mind-altering effects of a cursed mirror and the icy lair of the eponymous snow spirit. Instead, writer-directors Chris Buck (a veteran Disney animator with credits dating back to “The Fox and the Hound”) and Jennifer Lee (who co-scripted “Wreck-It Ralph”) give us a more conventional tale of two sisters, younger Anna (Kirsten Bell) and elder Elsa (Idina Menzel), heirs to the enchanted Scandinavian kingdom of Arendelle (also a return of sorts to Disney tradition after the dutiful PC dues-paying of “Pocahontas,” “Mulan” and “The Princess and the Frog”).